Contents. Background Following the release of his previous album, in October 1994, Anderson took a break after touring with the rock band before he started to write and record music for a new album.
The City Of Angels Soundtrack
By 1995, Anderson had met his future wife Jane Luttenberger who became a significant inspiration to his life and the music he would write since the mid-1990s. A photograph of the couple is included on the album's liner notes. Angels Embrace was recorded in 1995 with Anderson as producer, and mixed at Opio Studios in. In a departure from his previous work, the album sees Anderson explore and.
He had wanted to compose a 'peaceful work' for some time, which he described that 'plays quietly and embraces the whole room', and used several pieces of musical ideas that he had written and collected over the years as inspiration. Anderson named the album after a pastel painting by English artist Jack Shalatain titled 'The Angels Embrace'. His daughters and provide additional vocals, and additional keyboards are performed by and Keith Heffner.
![The city of angels soundtrack The city of angels soundtrack](/uploads/1/2/3/7/123763130/407564021.jpg)
Track listing No. Title Length 1. 'Myo Maya' 0:50 2. 'New Eire Land' 14:44 3.
'Angels Embrace' 6:40 4. 'Cloudsinging' 5:37 5. 'Prayersong' 4:47 6. 'Naturemusic' 11:44 7. 'Midnight Cello' 4:00 Personnel Credits adapted from the album's sleeve notes. Music. – vocals, keyboards (except 'New Eire Land' and 'Prayersong').
– vocals on 'Angels Embrace'. – vocals on 'Prayersong'. – keyboards on 'New Eire Land'.
Keith Heffner – keyboards on 'Prayersong' Production. Jon Anderson – production. Ric Wilson – mastering. John Laraio – mastering assistant. Tal Herzberg – mastering assistant.
![City City](https://images.recordsale.de/1200/1200/cdpix/j/jon-anderson-easier-said-than-done-three-ships.jpg)
Matt Marshall – executive producer. Dan Selene – executive producer. Suki Sir Tansey – creative direction. Geoff Gans – art direction. V Photo/Vitor Martins – photography References.
![The The](/uploads/1/2/3/7/123763130/779516047.jpg)
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Dear Internet Archive Supporter: Time is Running Out! I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41.
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We’re an independent, non-profit website that the entire world depends on. Our work is powered by donations averaging about $41. If everyone chips in $5, we can keep this going for free. For the cost of a used paperback, we can share a book online forever. When I started this, people called me crazy. Collect web pages?
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In 1988, quit for the second time and released his first regular solo album in six years,., best known for his work with, was brought in to produce; worked with a team of L.A. Session stars and wrote a couple of songs with ex-Motown ace. All of this seemed to portend a more commercial-sounding, straightahead pop effort from the usually ethereal. The result is about half and half: when writing with, expresses conventional romantic sentiments, for which he doesn't really have a feel. His tenor is so chaste and angelic, it's hard for him to be believable on earthly love songs. And soon enough, especially on later tracks, is once again in spiritual outer space, where he seems most comfortable. The compromise, however, did not appeal to fans, who avoided this album.